Ruskin's Rudimentary series, 3rd ed. (1872)
Items marked 'M' are drawings "by my own Hand" (by Ruskin), P are photographs, E engravings and A by Ruskin's Assistant, Arthur Burgess.
Catalogue of the Rudimentary series / 4. Gothic / Italian Gothic R|89 to R|100. Italian Gothic
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R|89}
Giotto’s Hope, from the Fresco at Padua. Placed at the beginning of the Italian Gothic Series in order to enforce on the student at once the fact that the power of Italian Gothic is in its use of sculpture and painting; and that no other school had so noble subordinate ministry. P.
- R|90} The Broletto of Como. Early transitional form of Italian Gothic, XII—XIII. Century. P.
- R|91} Piazza, St. Anastasia, Verona. Formed Gothic, XIII—XIV. Century. P.
- R|92} Sculptures on Porch of Church of St. Anastasia, Verona. P.
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R|93}
Tomb of Count Castelbarco, Verona
. P.
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R|94}
Tomb of Can Mastino II., Verona
. P.
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R|95} Study of North Gable of
Tomb of Can Mastino II.M.
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R|96}
Tombs of Can Mastino and Can Signorio, seen together. P.
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R|97} Pencil sketch of one of the pinnacles and Statue of St. George, from
Tomb of Can Signorio. (Pisan school). M.
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R|98} Study of a Capital of one of the upper pinnacles of
Tomb of Can Signorio (Pisan school). M.
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R|99} Arabian Door in St. Mark’s. Showing the eastern origin of Venetian Gothic. P.
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R|100} Ca’ d’ Oro. Venetian Gothic at its richest period. For its best period, see Ref. 52. P.
