Catalogue of the Educational Series / 5. Landscape (Nos. 101—125) Elementary Illustrations of Landscape
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101.
Etching from
Turner’s drawing of the banks of the Loire (in the Oxford Gallery)
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M
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102. Ruined abbey. Early unfinished drawing by Turner.
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103. Isola Bella, Lago Maggiore.
Old coloured print. E
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104. Isola Bella, from Stresa.
Old coloured print. E
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105. Early Morning. Old print after Turner, touched, I believe, by himself. E
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106. Sunset. Old Print after Turner. E
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107. Evening closing in. Old Print after TurnerE
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108. Moonlight. Old Print after Turner. E
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109. Mr. John Coker’s Country Seat, at Burcester-King’s-end
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Old print. E
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110. The Great St. Bernard.
Fac-simile of
Turner’s vignette for
Rogers’s Italy. M
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111. Kirkstall Abbey.
Pencil sketch. (Prout).
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112. Kirkstall Abbey.
(
Turner’s Liber Studiorum). E
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113. Kirkstall Abbey.
Mezzotint after Turner. E
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114.
Fribourg, Switzerland.
Pen sketch, with
old print beneath.M
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115. Lucerne, Switzerland.
Old print. E
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116. The old Bridge at Lucerne.
M
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117.
Two views of Lucerne from above.
M
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118. The Baron’s House at Zug.
Old print. E
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119.
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120. Sketch of costume, in pen, washed with sepia. Photograph from
Holbein’s drawing at Basle. P
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121. The Cannon. View to the north from the ramparts of Nuremberg (the sea introduced conventionally). (Dürer). Engraving on copper, of peculiar execution with blunt line.
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122. Basle, with outline of the mountains of the Black Forest, sketched in 1858.
The view is now entirely destroyed, by the suburban villas of ironmasters, but the distant town looked then as it did when Holbein lived in it.
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123. Justice.Death, Cupid, and Fortune. Line engraving. (Dürer).
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124. Two of the subjects of the Lesser Passion. Line engraving, perfect in execution. (Dürer).
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125. The worship of Pleasure. From series illustrating Apocalypse. Wood engraving. (Dürer).