Ruskin's revised catalogue of 300 works for the instruction of undergraduates and his notes on the use of particular examples.
76.
Tomb of Can Grande della Scala, at Verona
.
Sketch on the spot. Pencil, washed with grey. M
77.
Tomb of the Can Grande—the Sarcophagus, with recumbent portrait-Statue.
Sketch on the spot. Pencil, washed with grey. M
Dog from
the tomb of Can Grande, real size:
beneath,
a Lombardic lion and serpent, built into a wall in Venice.
A
80.
South entrance of Duomo, Verona.
P
81.
Gryphon bearing south shaft of west entrance of Duomo, Verona.
M
82.
Gryphon bearing north shaft of same entrance.
M
83.
Part of the façade of the destroyed church of San Michele at Lucca, as it appeared in 1845.
M
84.
Part of the same façade.
Sketched in colour, 1845. M
87.
Window of the Broletto of Como.
Rapid sketch in colour, showing method of inlaying marbles.
88.
Window at Siena, showing the rude and unsymmetrical placing of massy stones, continued in the 13th century from Roman work.
M
Below, study of Pisan Gothic.M
93.
Pilaster of unfinished façade of the Church of St. Anastasia, Verona.
M
94.
Part of the base of a pilaster in the Church of our Lady of Miracles, Venice.
M
95.
Statue of Colleone.
(Andrea Verrocchio). Venice. P
96.
Upper Story of Senate House, Verona.
(Fra Giocondo). P
97. Annunciation, (Filippo Lippi), at Florence. P
98.
Nativity, Madonna,
(Filippo Lippi), at Florence. P
99. Adoration of Magi. (Bernardino of Luino)
. P
100.
Head of the Angel Gabriel.
Study from the Annunciation, No. 97. M