Catalogue of the Educational Series / 4. Italian Gothic (Nos. 76–100) Illustrations of Italian Gothic, with its resultant Art
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76.
Tomb of Can Grande della Scala, at Verona
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Sketch on the spot. Pencil, washed with grey. M
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77.
Tomb of the Can Grande—the Sarcophagus, with recumbent portrait-Statue.
Sketch on the spot. Pencil, washed with grey. M
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78.
Part of the cornice of
the Sarcophagus of Can Grande.
M
79.
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Dog from
the tomb of Can Grande, real size:
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beneath,
a Lombardic lion and serpent, built into a wall in Venice.
A
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80.
South entrance of Duomo, Verona.
P
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81.
Gryphon bearing south shaft of west entrance of Duomo, Verona.
M
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82.
Gryphon bearing north shaft of same entrance.
M
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83.
Part of the façade of the destroyed church of San Michele at Lucca, as it appeared in 1845.
M
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84.
Part of the same façade.
Sketched in colour, 1845. M
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85.
Lateral view of the same façade, 1845.
M
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86. The Broletto of Como.
P
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87.
Window of the Broletto of Como.
Rapid sketch in colour, showing method of inlaying marbles.
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88.
Window at Siena, showing the rude and unsymmetrical placing of massy stones, continued in the 13th century from Roman work.
M
89.
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Spandril at Siena, showing the care taken in finished Italian brickwork to obtain grace of arrangement.
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Below, study of Pisan Gothic.M
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90.
Façade of the Arena Chapel at Padua, as it appeared before restoration.
P
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91.
Gate of the School of St. John, Venice.
P
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92.
Gate of the Church of St. Job, Venice.
P
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93.
Pilaster of unfinished façade of the Church of St. Anastasia, Verona.
M
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94.
Part of the base of a pilaster in the Church of our Lady of Miracles, Venice.
M
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95.
Statue of Colleone.
(Andrea Verrocchio). Venice. P
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96.
Upper Story of Senate House, Verona.
(Fra Giocondo). P
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97. Annunciation, (Filippo Lippi), at Florence. P
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98.
Nativity, Madonna,
(Filippo Lippi), at Florence. P
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99. Adoration of Magi. (Bernardino of Luino)
. P
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100.
Head of the Angel Gabriel.
Study from the Annunciation, No. 97. M