Catalogue of the Educational Series / 1. Introductory, Flower drawing (Nos. 1—15) Introductory Subjects, and Exercises in Flower Drawing
Of the affixed letters, P, signifies “Photograph;” E, “Engraving” (or Woodcut); M, that the Drawing is by my own Hand; A, that it is by my Assistant, Mr. A. Burgess
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1 Head of the Baptist. (Cima da Conegliano). P
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2 Behold, I stand at the door. (
Holman
Hunt
). E
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3 Study of Dawn. The first scarlet on the clouds.M
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3 B Study of Dawn. White clouds.M
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3 C Study of Dawn. Purple clouds.M
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4 Study of a few blades of grass as they grew.M
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4 B Study of clover blossoms.M
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5 Laurel in conventional outline. (Apollo’s Sceptre)
after
Baccio
Bandini
. M
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5 B Laurel Leaf, seen underneath and in profile.M
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6
Olive. Under-surface of dried spray, gathered at
Verona.
M
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7 Wild Strawberry blossom, with enlarged study beneath.M
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8
Fleur-de-Lys. (Iris Florentina).
M
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9
Field Lily of Oxford. (Drosida Ælfredi, Alfred’s
Dew-flower
I shall sometimes give you a new name
for a flower, which you will find advantage in
remembering it by; but see the note on this example,
page 32.
).
M
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9 B Study, with the pencil-point, of the same flower.M
10
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Bog-heather (Erica Tetralix).
Woodcut:
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beneath, profile of Dandelion.
A
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11
Vine. Conventional sculpture at Verona.
A
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11 B Cowslip Bells (enlarged profile).M
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11 C Gooseberry, Currant, and Cherry-blossom.M
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11 D
Oxford Ivy (Linaria Cymbalaria).
W
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12 Oak. Study from Cima da Conegliano.
M
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12 B Ilex. Study from dried spray.A
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13
Stone Pines at Sestri, Gulf of Genoa.
M
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14
Asphodel. (Wild hyacinth of Jura).
M
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14 B
Houseleek. Sketch of Echeveria, enlarged.
(Ultimately it is to be the common Houseleek). M
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15
Field Narcissus of the Alps.
M