Ruskin's first catalogue of 300 works for the instruction of undergraduates and his notes on the use of particular examples.
Of the affixed letters, P, signifies “Photograph;” E, “Engraving” (or Woodcut); M, that the Drawing is by my own Hand; A, that it is by my Assistant, Mr. A. Burgess
2 Behold, I stand at the door. (
Holman
Hunt
). E
3 Study of Dawn. The first scarlet on the clouds.M
3 B Study of Dawn. White clouds.M
3 C Study of Dawn. Purple clouds.M
4 Study of a few blades of grass as they grew.M
4 B Study of clover blossoms.M
5 Laurel in conventional outline. (Apollo’s Sceptre)
after
Baccio
Bandini
. M
5 B Laurel Leaf, seen underneath and in profile.M
6
Olive. Under-surface of dried spray, gathered at
Verona.
M
8
Fleur-de-Lys. (Iris Florentina).
M
9
Field Lily of Oxford. (Drosida Ælfredi, Alfred’s
Dew-flower
I shall sometimes give you a new name
for a flower, which you will find advantage in
remembering it by; but see the note on this example,
page 32.
).
M
9 B Study, with the pencil-point, of the same flower.M
11
Vine. Conventional sculpture at Verona.
A
11 B Cowslip Bells (enlarged profile).M
11 D
Oxford Ivy (Linaria Cymbalaria).
W
12 Oak. Study from Cima da Conegliano.
M
12 B Ilex. Study from dried spray.A
13
Stone Pines at Sestri, Gulf of Genoa.
M
14
Asphodel. (Wild hyacinth of Jura).
M
14 B
Houseleek. Sketch of Echeveria, enlarged.
(Ultimately it is to be the common Houseleek). M
15
Field Narcissus of the Alps.
M