Presented by John Ruskin to the Ruskin Drawing School (University of Oxford), 1875; transferred from the Ruskin Drawing School to the Ashmolean Museum, c.1949.
Ruskin, John, Catalogue of the Educational Series (London: Smith, Elder, 1871), cat. Educational no. 62
Ruskin, John, Catalogue of the Educational Series (London: Spottiswoode, 1874), cat. Educational no. 112
Ruskin, John, ‘Educational Series 1878’, 1878, Oxford, Oxford University Archives, cat. Educational no. 107
Finberg, Alexander J., The History of Turner's Liber Studiorum: With a New Catalogue Raisonné (London: Ernest Benn, 1924), no. 39.II
Ruskin, John, ‘The Ruskin Art Collection at Oxford: Catalogues, Notes and Instructions’, Edward T. Cook and Alexander Wedderburn, eds, The Works of John Ruskin: Library Edition, 39 (London: George Allen, 1903-1912), 21, cat. Educational no. 112
Crypt of Kirkstall Abbey, drawn by Turner, showing the depth of Turner's sentiment fastening, not on the physical, but the moral ruin - Lo, the sparrow hath found her &c. Here, the cattle resting in perfect peace under the sacred vaults, and the last rays of the declining day fading from them, he shows through the arch the quiet trees and river shore that we may know in what sweet places the abbey was built. It is curious that Turner slightly exaggerates the stability, as Prout, monstrously, the ruin of the vaults above; Turner wishing to express their sanctity and therefore their endurance by God's blessing.