Walter Fawkes
Wilton, Andrew, The Life and Work of J.M.W. Turner (London: Academy Editions, 1979), no. 582
Ruskin, John, The Ruskin Art Collection at Oxford: Catalogue of the Rudimentary Series, in the Arrangement of 1873, ed. Robert Hewison (London: Lion and Unicorn Press, 1984), cat. Rudimentary no. 14, RUD.014
Herrmann, Luke, Ruskin and Turner: A Study of Ruskin as a Collector of Turner, Based on His Gifts to the University of Oxford: Incorporating a Catalogue Raisonné of the Turner Drawings in the Ashmolean Museum (London: Faber & Faber, 1968), no. 77
Herrmann, Luke, and Colin Harrison, J. M. W. Turner, Ashmolean Museum Handbooks (Oxford: Ashmolean Museum, 2000), no. 19
Ruskin, John, Instructions in Practice of Elementary Drawing, Arranged with Reference to the First Series of Examples in the Drawings Schools of the University of Oxford (n.p., [1872]), cat. Rudimentary no. 14
Ruskin, John, Instructions in the Preliminary Exercises Arranged for the Lower Drawing-School (London: Smith, Elder, 1872), cat. Rudimentary no. 14
Ruskin, John, Instructions in the Preliminary Exercise Arranged For the Lower Drawing-School (London: Spottiswoode, 1873), cat. Rudimentary no. 14
Ruskin, John, ‘Rudimentary Series 1878’, 1878, Oxford, Oxford University Archives, cat. Rudimentary no. 14
Ruskin, John, ‘The Ruskin Art Collection at Oxford: Catalogues, Notes and Instructions’, Edward T. Cook and Alexander Wedderburn, eds, The Works of John Ruskin: Library Edition, 39 (London: George Allen, 1903-1912), 21, cat. Rudimentary no. 14
An example of Turner’s early heraldic work. Examine with lens the beautifully legible signature of Oliver Cromwell on the smallest of the fallen papers; also under the helmet the writing of the pedigree of the Farnley family. As brush-work, the sentence they are sometimes, and the perfectly free Hawkesworth and Richmond will give a general idea of the ease of Turner’s hand in minute lines. The colour of the shields on the principal scroll, and the lion rampant on the standard of Fairfax are to be copied by all students as soon as they have attained some facility in water-colour. The lion being executed with a wash of grey over the underlying vermilion bars, and the roughnesses given by only one process of retouching, with a scratch or two of the knife to conquer the vermilion, is of extremest value as a water-colour exercise. The drawing once belonged to M.r. Fawkes of Farnley and had been frightfully R. injured by ill usage on the left hand side of it before it came into my possession.