Ashmolean The Elements of Drawing, John Ruskin’s teaching collection at Oxford

Lady Keppel, a young woman, stands at the foot of a herm of Hymen, reaching up to adjust a garland of flowers looped around the herm's neck. Behind her, on the left, can be seen the upper half of a young black girl, who holds one end of another garland up towards Lady Keppel.

Although any inscription on the print has been trimmed away, Cook and Wedderburn (XXI.26 n. 4) identify this as Edward Fisher's mezzotint after Reynolds's portrait of Lady Elizabeth Keppel, afterwards Marchioness of Tavistock, painted in 1761and preserved at Woburn Abbey. They note that she is shown wearing the dress she wore as one of Queen Charlotte's bridesmaids for the Queen's marriage to George III on 22 September 1761; the connection with marriage is strengthened by the fact that she is shown decorating a herm of Hymen, here depicted as blind. Reynolds exhibited the portrait in the annual Spring Gardens exhibition the following year.

The print was first listed in the Teaching Collection in 1870, when it was included in the "Catalogue of Examples" as no. 43 of the Reference Series, a position it reatined in the 1872 catalogue of the series. The print formed part of a sequence of pictures by painters - all portrait-painters - who applied paint broadly, using the edges of the painted areas to denote outlines, rather than drawing them in with the point of the brush (Catalogue of Examples, p. 19). This picture, however, was also an indication of how the world had declined, becoming 'sad and proud, instead of happy and humble; - its domestic peace ... darkened by irreligion, its national action fevered by pride'. The fact that Reynolds had shown Hymen blind, and holding a coronet, indicated for Ruskin how this decline appeared even in concepts of love (Lectures on Art, § 183 = XX.172-173).