Presumably presented by John Ruskin to the Ruskin Drawing School (University of Oxford); first recorded in the Ruskin Drawing School in 1878; transferred from the Ruskin Drawing School to the Ashmolean Museum c.1949
Finberg, Alexander J., The History of Turner's Liber Studiorum: With a New Catalogue Raisonné (London: Ernest Benn, 1924), no. 01.I
Ruskin, John, ‘Rudimentary Series 1878’, 1878, Oxford, Oxford University Archives, cat. Rudimentary no. 152
Ruskin, John, ‘The Ruskin Art Collection at Oxford: Catalogues, Notes and Instructions’, Edward T. Cook and Alexander Wedderburn, eds, The Works of John Ruskin: Library Edition, 39 (London: George Allen, 1903-1912), 21, cat. Rudimentary no. 152
The same Plate, completed in light and shade, but with no very satisfactory result, the cornice of the frame coming out much better than that of the temple. The names of the engravers are given on the sail with Turner’s at the bottom not as a Painter but as an Engraver - the central picture in this piece being engraved by his own hand, as well as etched.