Ashmolean The Elements of Drawing, John Ruskin’s teaching collection at Oxford

The drawing depicts the tomb of Can Grande della Scala, lord of Verona, who died on 22 June 1329. The tomb is placed above two columns which flank the north door of the church of Santa Maria Antica, and the drawing focusses on the tomb itself, framed by a line of houses on the right (west) and the iron fence that surrounds the various Scaliger tombs on the left (east). The tomb takes the form of a sarcophagus carying a recumbent figure of Can Grande, set beneath an arched canopy which rests upon two columns. Above is a tall pinnacle, topped by a figure of Can Grande in full armour, on horseback.

Ruskin exhibited the work in his "Verona" exhibition of February 1870, as no. 22, where it was described as a 'Sketch made carefully on the spot last year. The sarcophagus unfinished; the details of it would not go into so small a space.' It therefore dates from his trip to Verona in 1869, when he was in Verona at intervals throughout the period from May to August. Both Cook and Wedderburn and Taylor associate it with Ruskin's letter of 15 June, where he states that 'I framed last night, to keep it safe, a really lovely pencil drawing of the tomb of Can Grande', although this could equally refer to any of his other worked-up drawings of the tomb (Ruskin's letter is published in the Library Edition, XIX.li). This drawing first appears in the Oxford collection in Ruskin's 1872 catalogue of the Standard and Reference Series where, as no. 57, it was accompanied by other studies from the tomb of Can Grande, and those of Mastino II and Can Signorio della Scala. In its comparatively broad handling, it seems to have been intended to give an impression of the masses and chiaroscuro of the monument.

Cook and Wedderburn describe plate XXIII in the Library Edition of the Verona Catalogue as being a combination of this drawing and Educational Series no. 77 (XXXVIII.302).

Ruskin made much of the tomb, and there are several other representations of it in the collection: Reference Series no. 63 contained a series of small studies by Ruskin of details of the tomb's upper levels. Educational Series no. 76 is a drawing by Ruskin, focussing on the sarcophagus and its canopy. Educational Series no. 77 is a similar drawing, focussing more closely on the sarcophagus and effigy. Educational Series no. 78 was a drawing by Ruskin of part of the sarcophagus's cornice. Educational Series no. 79 contained a drawing by Ruskin of the head of one of the shield-bearing dogs which supports the sarcophagus. Rudimentary Series no. 24 was a photograph of the tomb. Rudimentary Series no. 25 is a drawing by Prout of the entire tomb.

In "The Stones of Venice", Ruskin describes the tomb as embodying 'the consummate form of the Gothic tomb', which also managed to balance Can Grande's pride with his honour, in part because it appears more as a decoration of the church's portal than as a monument in its own right (vol. III, ch. ii, §§ 53-4 = XI.87-8). In his lecture on Verona and its Rivers, he described Can Grande as 'a good knight and true, living, I think, the busiest and the birghtest life that you can find in the annals of chivalry' (§ 22 = XIX.441-442).