The Elements of Drawing, John Ruskin’s teaching collection at Oxford

The Elements of Drawing, John Ruskin’s teaching collection at Oxford

Ruskin's revision to the Rudimentary series (1878)

Unpublished manuscript catalogue for proposed re-organisation of the Rudimentary series.

Rudimentary manu Cover

Ruskin's Catalogues: 1 object

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Ruskin assembled a diverse collection of artworks for his drawing school in Oxford, including watercolours by J.M.W. Turner and drawings by Ruskin himself.  He taught students to draw as a way of educating them in how to look at art and the world around them.  

Ruskin divided his Teaching Collection into four main series: Standard, Reference, Educational and Rudimentary. Each item was placed in a numbered frame, arranged in a set of cabinets, so that they all had a specific position in the Collection (although Ruskin often moved items about as his ideas changed). 

When incorporated into the Ashmolean’s collection in the last century, the works were removed from the frames and the sequence was lost.  Here, Ruskin's original catalogues, notes and instructions - in his chosen order and in his own words - are united with images of the works and links to modern curatorial descriptions.

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Alpine Peaks: The Jungfrau, Eiger and Others John Ruskin

  • Ruskin text

    118.

    Rapid studies of effects from the Faul-horn. I had only one bit of paper and packed the mountains all over it; but the Schreck-horn and Finsteraarhorn are all right as they first appear behind the brown rocks of the Faul-horn. Then, the summit of the Schreck horn becoming clear, I sketched it above the Finsteraarhorn. Presently, the Finsteraarhorn throwing off its clouds, I saw I had got it too steep and drew it again below itself. Farther to the right the Eiger and Jung-frau had to be packed in at the left-hand bottom corner, and a final study of the quite clear Schreck horn filled up what was left. These memoranda recall to me a most lovely scene, and I think the method of their execution is the most serviceable R. that can be adopted for such rapid work.

  • Details

    Artist/maker
    John Ruskin (1819 - 1900)
    Object type
    drawing
    Material and technique
    watercolour and bodycolour over graphite on paper
    Dimensions
    168 x 252 mm
    Associated place
    Inscription
    Recto:
    above the left-hand of the two upper peaks: b
    below the same peak: Mettenberg
    just above the horizontal join, left: Schreckhorn [the first 'c' added later]
    just above the horizontal join, right of centre: F.Aarhorn
    just above the horizontal join, right: Eiger
    on the lower right-hand sheet, towards top, left: F. Aarhorn
    bottom left: Eiger
    bottom, left of centre: Jungfrau
    bottom, towards right: Schreckhorn
    Provenance

    John Ruskin; recorded in the Ruskin Drawing School in 1878, but never presented to the School; removed from the Drawing School by John Ruskin, 1887; W.A. Cadbury?; presented by an anonymous donor to B

    No. of items
    1
    Accession no.
    BIRMG.1907P145
  • Subject terms allocated by curators:

    Subjects

  • References in which this object is cited include:

    References

    Taylor, Gerald, ‘John Ruskin: A Catalogue of Drawings by John Ruskin in the Ashmolean Museum, Oxford’, 7 fascicles, 1998, Oxford, Ashmolean Museum, no. 345

    [City of Birmingham Museum and Art Gallery], City of Birmingham Museum and Art Gallery: Catalogue of the Collection of Drawings and Studies ... Exhibited in the Upper Galleries of the Museum, Birmingham (Birmingham: City of Birmingham Museum and Art Gallery, 1913), no. 546, p. 73

    Ruskin, John, ‘Rudimentary Series 1878’, 1878, Oxford, Oxford University Archives, cat. Rudimentary no. 118

Location

    • Birmingham Museums and Art Gallery

Ruskin's Catalogues

  • Ruskin's revision to the Rudimentary series (1878)

    118.

    Rapid studies of effects from the Faul-horn. I had only one bit of paper and packed the mountains all over it; but the Schreck-horn and Finsteraarhorn are all right as they first appear behind the brown rocks of the Faul-horn. Then, the summit of the Schreck horn becoming clear, I sketched it above the Finsteraarhorn. Presently, the Finsteraarhorn throwing off its clouds, I saw I had got it too steep and drew it again below itself. Farther to the right the Eiger and Jung-frau had to be packed in at the left-hand bottom corner, and a final study of the quite clear Schreck horn filled up what was left. These memoranda recall to me a most lovely scene, and I think the method of their execution is the most serviceable R. that can be adopted for such rapid work.

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