The Elements of Drawing, John Ruskin’s teaching collection at Oxford

The Elements of Drawing, John Ruskin’s teaching collection at Oxford

Ruskin's Rudimentary series, 5th ed. (1873)

Items marked 'M' are drawings "by my own Hand" (by Ruskin), P are photographs, E engravings and A by Ruskin's Assistant, Arthur Burgess.

Rudimentary 5 Cover

Ruskin's Catalogues: 1 object

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Ruskin assembled a diverse collection of artworks for his drawing school in Oxford, including watercolours by J.M.W. Turner and drawings by Ruskin himself.  He taught students to draw as a way of educating them in how to look at art and the world around them.  

Ruskin divided his Teaching Collection into four main series: Standard, Reference, Educational and Rudimentary. Each item was placed in a numbered frame, arranged in a set of cabinets, so that they all had a specific position in the Collection (although Ruskin often moved items about as his ideas changed). 

When incorporated into the Ashmolean’s collection in the last century, the works were removed from the frames and the sequence was lost.  Here, Ruskin's original catalogues, notes and instructions - in his chosen order and in his own words - are united with images of the works and links to modern curatorial descriptions.

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Recto: Enlarged Study of the Tail of a Sea-horse. Verso: A rough Outline of the Tail of a Sea-horse John Ruskin

Location

    • Western Art Print Room

Position in Ruskin’s Collection

Ruskin's Catalogues

  • Ruskin's Rudimentary series, 3rd ed. (1872)

    R|44} Study of tail of Sea-Horse (enlarged). M.
  • Ruskin's Rudimentary series 4th ed. (1872)

    R|44} Study of tail of Sea-Horse (enlarged). M.
    Process A. Pure pencil or chalk on white paper.(Standard. Leonardo’s head. Ref. 12. )Copy for practice. R. 43 or R. 44.

    All students are to copy one or other of these: if the smaller hurts their eyes, they are to take the larger. The work is to be entirely with B and HB pencil, on our standard white paper. The subject is (R. 43,) the Venetian Sea Horse, natural size; (R. 44,) its tail enlarged, both from a dried specimen. The living creature is green, almost transparent; and is a kind of animated tendril of sea-grass; abides generally with his spiral tail twisted round a reed in the shallows; swinging, so, to and fro with the tide; swims, superbly, when he changes place, by quivering undulation of his transparent crest and dorsal fin. He is to be drawn that you may learn, first, how to manage an HB pencil so as to show spots, local colour, &c.; secondly, that it may be impressed on your mind that a fish, generally, is a floating head, breast, and stomach, with a tail rather awkwardly put on behind, to steer, or, as in this case, grip with.

  • Ruskin's Rudimentary series, 5th ed. (1873)

    R|44} Study of tail of Sea-Horse (enlarged). M.
    Process A. Pure pencil or chalk on white paper.(Standard. Leonardo’s head. Ref. 12. )Copy for practice. R. 43 or R. 44.

    All students are to copy one or other of these: if the smaller hurts their eyes, they are to take the larger. The work is to be entirely with B and HB pencil, on our standard white paper. The subject is (R. 43,) the Venetian Sea Horse, natural size; (R. 44,) its tail enlarged, both from a dried specimen. The living creature is green, almost transparent; and is a kind of animated tendril of sea-grass; abides generally with his spiral tail twisted round a reed in the shallows; swinging, so, to and fro with the tide; swims, superbly, when he changes place, by quivering undulation of his transparent crest and dorsal fin. He is to be drawn that you may learn, first, how to manage an HB pencil so as to show spots, local colour, &c.; secondly, that it may be impressed on your mind that a fish, generally, is a floating head, breast, and stomach, with a tail rather awkwardly put on behind, to steer, or, as in this case, grip with.

  • Ruskin's revision to the Rudimentary series (1878)

    43,44,

    To be used at M.r. Macdonald’s discretion. Pen exercise.

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