The Elements of Drawing, John Ruskin’s teaching collection at Oxford

The Elements of Drawing, John Ruskin’s teaching collection at Oxford

Ruskin's revision to the Rudimentary series (1878)

Unpublished manuscript catalogue for proposed re-organisation of the Rudimentary series.

Rudimentary manu Cover

Ruskin's Catalogues: 1 object

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Ruskin assembled a diverse collection of artworks for his drawing school in Oxford, including watercolours by J.M.W. Turner and drawings by Ruskin himself.  He taught students to draw as a way of educating them in how to look at art and the world around them.  

Ruskin divided his Teaching Collection into four main series: Standard, Reference, Educational and Rudimentary. Each item was placed in a numbered frame, arranged in a set of cabinets, so that they all had a specific position in the Collection (although Ruskin often moved items about as his ideas changed). 

When incorporated into the Ashmolean’s collection in the last century, the works were removed from the frames and the sequence was lost.  Here, Ruskin's original catalogues, notes and instructions - in his chosen order and in his own words - are united with images of the works and links to modern curatorial descriptions.

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Study of a Copper Pot and a Horn Mug William Henry Hunt

Location

    • Western Art Print Room

Position in Ruskin’s Collection

Ruskin's Catalogues

  • Ruskin's Rudimentary series, 3rd ed. (1872)

    R|60} Study of copper pot and horn mug. W. Hunt.
  • Ruskin's Rudimentary series 4th ed. (1872)

    R|60} Study of copper pot and horn mug. W. Hunt.
  • Ruskin's Rudimentary series, 5th ed. (1873)

    R|60} Study of copper pot and horn mug. W. Hunt.
  • Ruskin's revision to the Rudimentary series (1878)

    remains 60.

    Standard example of colour-execution on objects more or less rustic and picturesque, yet having great R. subtlety in some parts, as, for instance, here the edge of the horn-mug. There is scarcely any difference between this and the finest Venetian execution, except that the Venetian, being almost invariably of beautiful things, is itself always graceful and beautiful to the utmost degree. For instance, had the rim of the mug been of silver instead of pewter, Hunt’s execution would have become a little more delicate; but as in England our powers of enjoyment are more rustic than refined - so that we may any day produce a Bewick, a Gainsborough, or a William Hunt, but have little chance of producing a Filippo Lippi - the manner of execution in this drawing is that for the most part best adapted to the national temper which, if compelled to be refined, nearly always becomes mechanical.

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